Sculpture

..like the pop-art, I work for object de-contextualization, extrapolating it from its everyday context, where the common imaginary is used to see it and, without changing-the-parts, I assemble it together with other objects, generally of metallic materials. I do not create my works, they already exist, but they are scattered in disorder (created by humans, different from chaos created by nature). These items have already been made by other men and I collect their pieces, assembling them together. In this way an object that had acertain meaning, now joined with the other objects, acquires a new one…

...two hammers become a face

...a garden scissors a bird beak

...an aqueduct valve his body